The Narmer Palette is a significant Egyptian archaeological find, dating from about the 31st century BC. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet depicts the unification of Upper and Lower Egypt under King Narmer and provides one of the earliest known depictions of an Egyptian king. The Palette shows many of the ancient conventions of Ancient Egyptian art, which means that this art form must already have been formalised by the time of the Palette’s creation. The 5,000-year-old Narmer Palette is one of the first historical document in the world.
The Narmer Palette was a votive object, made explicitly for ritual used in a temple. The Palette, which has survived five millennia in remarkably good condition, was discovered by British archaeologists during 1897–98. The Palette has raised considerable debate, with two camps of view. One view is that the Palette is a record of real events and another belief that it is an object designed to establish the mythology of united rule over Upper and Lower Egypt by the king.
It is believed that the iconography has more to do with establishing the king as a visual metaphor of the conquering hunter delivering a mortal blow to his enemies. Some experts believe:
“the chief purpose of the piece ………. is to assert that the king dominates the ordered world in the name of the gods and has defeated internal, and especially external, forces of disorder”.
The Ancient Egyptians typically used palettes for grinding cosmetics, but this elaborate palette is too large and heavy to have been created for personal use and was a ritual object for use in a temple. One theory is that it was used to grind cosmetics to adorn the statues of the gods.
Cosmetic palettes were initially used in predynastic Egypt to grind and apply ingredients for cosmetics. Siltstone was first utilised for cosmetic palettes by the Neolithic Upper Egypt culture during the Predynastic Era. The first palettes were usually plain and rectangular, without decoration. It is later in the 4000 to 3500 BC period in which symbolism in palettes played a significant and different role and not purely as a functional object for grinding pigments. The importance of symbolism eventually outweighed the functional aspect.
The decorative palettes of the late 4th millennium BCE are no longer used in that function and have become commemorative and ceremonial. They were usually made of siltstone originating from prefered quarries. Many of the palettes were found at Hierakonpolis, a centre of power in pre-dynastic Upper Egypt. After the unification of the country, the palettes eventually ceased to be used as tomb or grave goods.
- Is this 5,000-year-old artifact one of the first historical document in the world?
- Does our modern world have any objects or practices that started with a functional use but have morphed into ritual and symbolism?
- What are the modern equivalent objects for commemorative, ornamental, and ceremonial purposes?
- Do we have any habits in which the symbolism has replaced the functional aspects that initiated the practice?
- Egyptian Artifacts
- The Battlefield Palette 3100 BC
- Relief of Horemheb with Nubian Prisoners
- The Temple of Dendur
- The Sphinx of Hatshepsut
- William the Faience Hippopotamus
- Shawabti of King Senkamanisken
- Younger Memnon (Ramesses II)
Narmer Palette or Great Hierakonpolis Palette
- Title: Narmer Palette or Great Hierakonpolis Palette
- Year: 31st century BC (circa)
- Medium: siltstone
- Discovered: 1897–98
- Dimensions: c. 64 cm x 42 cm
- Museum: Egyptian Museum, Cairo
“For the benefit of the flowers,
we water the thorns, too.”
– Egyptian Proverbs
Photo Credits: 1) By Unknown, perhaps more than one [Public domain], via Wikimedia Commons