Diogenes by John William Waterhouse
“Diogenes” by John William Waterhouse depicts “Diogenes the Cynic” (412 – 323 BC), who was a Greek philosopher. Diogenes was a controversial figure with a reputation for sleeping and eating wherever he chose in a highly non-traditional fashion. Diogenes made a virtue of poverty. He begged for a living and often slept in a large ceramic jar in the marketplace, as Waterhouse has depicted him in this 1882 painting.
Waterhouse has contrasted the joyful and richly dressed women with the older man who was one of the founders of Cynic philosophy. In front of his ceramic jar lodgings is a lamp that he carried during the day, claiming to be looking for an honest man. He criticized Plato, disputed his interpretation of Socrates, and he was also noted for having mocked Alexander the Great, both in public and to his face when he visited Corinth in 336.
Diogenes passed his philosophy of Cynicism influenced Zeno, who fashioned it into the school of Stoicism, one of the most enduring schools of Greek philosophy.
Diogenes maintained that all the artificial growths of society were incompatible with happiness and that morality implies a return to the simplicity of nature. In his words:
“Humans have complicated every simple gift of the gods.”
Diogenes is credited with the first known use of the word “cosmopolitan.” When he was asked where he came from, he replied, “I am a citizen of the world,” which in Greek was “cosmopolites.” This was a radical claim in a world where a man’s identity was intimately tied to his citizenship of a particular city-state.
Diogenes shared Socrates’s love of virtue and indifference to wealth, together with a disdain for general opinion. Diogenes taught by living example. He tried to demonstrate that wisdom and happiness belong to the man who is independent of society and that civilization is regressive.
However, any philosophy can be taken to the extreme, and Diogenes’ name has been applied to a behavioral disorder characterized by apparently involuntary self-neglect and hoarding.
John William Waterhouse
Waterhouse worked in the Pre-Raphaelite style, several decades after the breakup of the Pre-Raphaelite Brotherhood, which included artists such as Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. Waterhouse embraced the Pre-Raphaelite style even though it had gone out of fashion in the British art scene, by the time he painted this painting.
- How sympathetically portrayed is Diogenes?
- Have humans overcomplicated our simple gifts?
- What do you think of Diogenes’ Philosophy?
- Is taking any philosophy to the extreme, unhelpful?
Exploring Pre-Raphaelite Artists
- By John Everett Millais
- By John William Waterhouse
- By Dante Gabriel Rossetti
- By Marie Spartali Stillman
- Love’s Messenger
- Title: Diogenes
- Artist: John William Waterhouse
- Medium: Oil on canvas
- Date: 1882
- Dimensions: 208,3 × 134,6 cm
- Museum: Art Gallery of New South Wales
John William Waterhouse
- Name: John William Waterhouse
- Movement: Pre-Raphaelite
- Born: 1849 – Rome, Papal States
- Died: 1917 (aged 67) – London, England, United Kingdom
- Nationality: British
- Notable works:
A Tour of the Art Gallery of New South Wales
- “The Visit of the Queen of Sheba to King Solomon” by Edward Poynter
- “Vive L’Empereur” by Edouard Detaille
- “Bailed Up” by Tom Roberts
- “Cymon and Iphigenia” by Lord Frederic Leighton
- “Summer Time” by Rupert Bunny
- Diogenes by John William Waterhouse
“Man is the most intelligent of the animals – and the silliest.”
Photo Credit: John William Waterhouse [Public domain]