The Virgin and Child with St. Anne by Leonardo da Vinci
“The Virgin and Child with Saint Anne” by Leonardo da Vinci depicts the grandmother of Jesus, her daughter the Virgin Mary and the infant Jesus. Leonardo’ composition depicts the mother-daughter relationship between the two women. St Anne is looking at Mary, as Mary is sitting on her lap, and Mary is looking into her Christ’s eyes.
Christ is shown grappling with a sacrificial lamb symbolising his Passion. The painting and its theme had long preoccupied Leonardo, who took many years to work on this painting. Leonardo struggled to capture their relationships and personalities.
Interestingly, Sigmund Freud attempted to explain Leonardo’s fondness of depicting Mary with her mother. Leonardo was raised by his blood mother initially before being ‘adopted’ by the wife of his father. Freud suggested that painting the Mother of God with her mother was a relationship issue close to Leonardo’s heart, because he, in a sense, had ‘two mothers’ himself. From another perspective, St Anne is portrayed as a young grandmother, and she is not depicted as a manifestly full generation older than Mary.
According to apocryphal Christian tradition, Saint Anne was the mother of Mary and grandmother of Jesus. Mary’s mother is not named in the gospels. Anne’s name comes from New Testament Apocrypha, of which the Gospel of James, written perhaps around 150 seems to be the earliest mention.
The New Testament Apocrypha are writings by early Christians that give accounts of Jesus and his teachings, the nature of God, or the teachings of his apostles and their lives. Some of these writings had been cited as scripture by early Christians, but since the fifth century, a consensus emerged limiting the New Testament to the 27 books of the modern canon. Roman Catholic, Eastern Orthodox and Protestant churches generally do not view these New Testament Apocrypha as part of the Bible.
Anne (Arabic: Ḥannah) is also revered in Islam, recognised as a highly spiritual woman and as the mother of Mary.
Leonardo da Vinci
Leonardo da Vinci (1452 – 1519) was an Italian painter, draftsman, sculptor, architect, scientist and an engineer who was already famous in his lifetime and is today considered a genius.
Leonardo’s masterpiece had considerable influence during his lifetime and continued to influence and attract lovers of history and art in our life.
Leonardo was born out of wedlock to a wealthy notary and a peasant woman in Vinci in the region of Florence, and he was educated in the studio of Florentine painter Andrea del Verrocchio.
Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna, and Venice, and he spent his last years in France at a home awarded to him by Francis I of France.
The Virgin and Child with St. Anne
- Title: The Virgin and Child with St. Anne
- Français: La Vierge, l’Enfant Jésus et sainte Anne
- Artist: Leonardo da Vinci
- Created: from 1500 until 1513
- Periods: High Renaissance
- Media: Oil paint on poplar wood
- Dimensions: 168 cm × 112 cm (66 in × 44 in)
- Museum: The Louvre (since 1797)
Leonardo da Vinci
- Name: Leonardo di ser Piero da Vinci
- Born: 1452 – Vinci, Republic of Florence (present-day Italy)
- Died: 1519 (aged 67) – Amboise, Kingdom of France
- Movement: High Renaissance
A Tour of The Louvre
- The Mona Lisa” by Leonardo da Vinci
- “Ruggiero Freeing Angelica” by Jean-Auguste-Dominique Ingres
- “The Valpinçon Bather” by Jean-Auguste-Dominique Ingres
- “The Turkish Bath” by Jean-Auguste-Dominique Ingres
- “Grande Odalisque” by Jean-Auguste-Dominique Ingres
- “Perseus and Andromeda” by Joachim Wtewael
- Self-portrait with Her Daughter, Julie by Louise Élisabeth Vigée Le Brun
- “The Virgin and Child with St. Anne” by Leonardo da Vinci
- “Louis XIV of France” by Hyacinthe Rigaud
- “The Massacre at Chios” by Eugène Delacroix
- “The Battle of San Romano” by Paolo Uccello
- “Virgin of the Rocks” by Leonardo da Vinci
- “The Death of Sardanapalus” by Eugène Delacroix
- “Psyche Revived by Cupid’s Kiss” by Antonio Canova
- “Liberty Leading the People” by Eugène Delacroix
- “The Arcadian Shepherds” by Nicolas Poussin
- “The Lacemaker” by Johannes Vermeer
- “The Money Changer and His Wife” by Quentin Matsys
- “The Fortune Teller” by Caravaggio
- “Portrait of Baldassare Castiglione” by Raphael
- “Charles I at the Hunt” by Anthony van Dyck
- “An Old Man and his Grandson” by Domenico Ghirlandaio
- “Vulcan Presenting Venus with Arms for Aeneas” by François Boucher
- “La belle ferronnière” by Leonardo da Vinci
- Self-Portrait by Élisabeth Sophie Chéron
- The Four Seasons by Nicolas Poussin
- “The Death of Marat” by Gioacchino Giuseppe Serangeli after Jacques-Louis David
- Egyptian Antiquities
- Near Eastern Antiquities
- Greek, Etruscan, and Roman Collections
“The greatest deception men suffer is from their own opinions.”
– Leonardo da Vinci
Photo Credit 1) Leonardo da Vinci [Public domain], via Wikimedia Commons