“Liberty Leading the People”
by Eugène Delacroix
“Liberty Leading the People” by Eugène Delacroix commemorates the July Revolution of 1830 in France. A woman wearing the Phrygian cap of Liberty, personifying the concept of Liberty leads the people forward.
Liberty is climbing over a barricade and the bodies of the fallen, holding the flag of the French Revolution in one hand and a bayonetted musket with the other.
Delacroix depicted Liberty as both an allegorical goddess-figure and a woman of the people. The corpses at her feet act as a pedestal, from which Liberty strides, barefoot, and bare-breasted.
This painting is seen as a marker to the end of the Age of Enlightenment and the start of the Romantic Era. The fighters depicted as following Liberty, represent the range of French society.
The representations include the bourgeoisie represented by the man in a top hat, a student from a prestigious Paris school wearing the traditional bicorne and the revolutionary urban worker, in the form of the boy holding pistols.
They all have a fierceness and determination in their eyes. In the background is the city of Paris with a Tricolore flag that can be seen in the distance on the towers of Notre Dame on the right.
Liberty in Phrygian Cap
Delacroix was not the first artist to depict Liberty in a Phrygian cap; however, this painting is the best known early version of the figure commonly known as Marianne, a symbol of the French Republic.
The Phrygian cap or liberty cap is a soft conical cap with the apex bent over, associated in antiquity with various peoples in Eastern Europe.
In early modern Europe, it came to signify freedom and the pursuit of liberty through a confusion with the felt cap of emancipated slaves of ancient Rome. In artistic representations, it means freedom and the pursuit of Liberty.
The Phrygian hat that Liberty wears had come to symbolize liberty during the first French Revolution of 1789.
Marianne as a symbol of the French Republic
Marianne is a national symbol of the French Republic, a personification of Liberty and reason, and a portrayal of the Goddess of Liberty.
Marianne is displayed in many public places in France and holds a place of honor in town halls and law courts.
Her profile stands out on the official government logo of the country, is engraved on French euro coins, and appears on French postage stamps.
Marianne is one of the most prominent symbols of the French Republic and is officially used on most government documents. Marianne is a significant Republican symbol.
As a national icon, she represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression.
Other national symbols of France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, and the national anthem “La Marseillaise.”
The French Revolution of 1830, also known as the July Revolution, led to the overthrow of King Charles X, the French Bourbon monarch, and the ascent of his cousin, who himself would be overthrown in 1848.
It marked the shift from one constitutional monarchy, under the restored House of Bourbon, to another and the replacement of the principle of hereditary right with popular sovereignty.
This renewed French Revolution sparked uprisings in Brussels and the Netherlands, leading to separation and the establishment of the Kingdom of Belgium. The example of the July Revolution also inspired revolutions in Italy and Poland.
The flag of France is a tricolor flag featuring three vertical bands, colored blue, white, and red. It is known as the French Tricolor or simply the Tricolor.
The Tricolor has become one of the most influential flags in history. Its three-color scheme being copied by many other nations, both in Europe and the rest of the world.
The Tricolor became France’s national flag after the events depicted in this painting. The Tricolor was brought back after the July Revolution. It has been used ever since 1830, (except with a brief interruption for a few days in 1848).
Eugène Delacroix was an artist regarded as the leader of the French Romantic school.
Delacroix’s use of expressive brushstrokes shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement.
Dramatic and romantic content characterized the central themes, which led him to travel in North Africa in search of the exotic.
Liberty Leads the Way in Delacroix’s Revolutionary Portrait
Liberty Leading the People
- Title: Liberty Leading the People
- French: La Liberté Guidant le Peuple
- Artist: Eugène Delacroix
- Date: 1830
- Media: Oil on Canvas
- Dimensions: Height: 260 cm (102.3 ″); Width: 325 cm (10.6 ft)
- Museum: Louvre Museum
Liberty Leading the People by Delacroix
- Name: Ferdinand Victor Eugène Delacroix
- Born: 1798 – Charenton-Saint-Maurice, Île-de-France, France
- Died: 1863 (aged 65) – Paris, France
- Movement: Romanticism
Symbolism in Liberty Leading The People
Liberty Leading the People
A Tour of the Louvre
- The Mona Lisa” by Leonardo da Vinci
- “Ruggiero Freeing Angelica” by Jean-Auguste-Dominique Ingres
- “The Valpinçon Bather” by Jean-Auguste-Dominique Ingres
- “The Turkish Bath” by Jean-Auguste-Dominique Ingres
- “Grande Odalisque” by Jean-Auguste-Dominique Ingres
- “Perseus and Andromeda” by Joachim Wtewael
- Self-portrait with Her Daughter, Julie by Louise Élisabeth Vigée Le Brun
- “The Virgin and Child with St. Anne” by Leonardo da Vinci
- “Louis XIV of France” by Hyacinthe Rigaud
- “The Massacre at Chios” by Eugène Delacroix
- “The Battle of San Romano” by Paolo Uccello
- “Virgin of the Rocks” by Leonardo da Vinci
- “The Death of Sardanapalus” by Eugène Delacroix
- “Psyche Revived by Cupid’s Kiss” by Antonio Canova
- “Liberty Leading the People” by Eugène Delacroix
- “The Arcadian Shepherds” by Nicolas Poussin
- “The Lacemaker” by Johannes Vermeer
- “The Money Changer and His Wife” by Quentin Matsys
- “The Fortune Teller” by Caravaggio
- “Portrait of Baldassare Castiglione” by Raphael
- “Charles I at the Hunt” by Anthony van Dyck
- “An Old Man and his Grandson” by Domenico Ghirlandaio
- “Vulcan Presenting Venus with Arms for Aeneas” by François Boucher
- “La belle ferronnière” by Leonardo da Vinci
- Self-Portrait by Élisabeth Sophie Chéron
- The Four Seasons by Nicolas Poussin
- “The Death of Marat” by Gioacchino Giuseppe Serangeli after Jacques-Louis David
- “Oath of the Horatii” by Jacques-Louis David
- “The Coronation of Napoleon” by Jacques-Louis David
- Egyptian Antiquities
- Near Eastern Antiquities
- Greek, Etruscan, and Roman Collections
- Highlights of The Louvre
Delacroix’s Liberty Leading the People – Accidental Icon?
- History Paintings
- Popular Portraits
- Mythological Paintings
- Christian Art
- Buddhist Art
- History Paintings
Delacroix, Liberty Leading the People
“Liberty, equality, fraternity, or death; – the last, much the easiest to bestow, O Guillotine!”
– Charles Dickens, A Tale of Two Cities
Photo Credit 1)Eugène Delacroix [Public domain]