Caryatids of Erechtheion
A Caryatid is a name given to a column which is in the form of a standing female figure. The most famous Caryatid is part of the Erechtheion on the Acropolis of Athens. The Erechtheion is a marble temple building in the Ionic order and was considered the most sacred part of the Acropolis.
At the south porch of the Erechtheion, the roof was supported by six statues of maidens known as the Caryatids. An ancient inscription of the Erechtheion refers to the Caryatids simply as Korai (maidens). The Greek term karyatides means “maidens of Karyai”, an ancient town of Peloponnese.
Initially, there were six maiden statues, today at the site you can only see five as one of the Caryatids was removed by Lord Elgin in 1801 and is today located in the British Museum. The Caryatids at the Erechtheum on the Acropolis of Athens are copies, as the five remaining originals are in The Acropolis Museum for their protection, conservation and restoration.
The Caryatids of Erechtheum where sculptured from Pentelic marble. They wear a peplos pinned on each shoulder. The hair of the Korai (maidens) is braided and falls in as a thick rope down her back. They carry the architectural capital like a basket on her head. The weight she bears is taken on the right leg, and the other leg is bent forward with the drapery moulded to it.
Below is a painting titled “The Prostasis (portico) of the Caryatids on the Erechtheion” painted in 1877 by Werner Carl-Friedrich (1808 – 1894). This painting was painted after the liberation of Greece from the Ottoman Empire when one of the first tasks the new Greek State undertook was to clear the Turkish dwellings from the Acropolis hill and reveal the classical monuments of antiquity. This is an early modern view of the Caryatids of Erechtheum following the restoration of the site without modern additions.
The Romans copied the Erechtheion caryatids, installing copies in the Forum of Augustus and the Pantheon in Rome, and at Hadrian’s Villa at Tivoli. In Early Modern times, the practice of integrating caryatids into building facades was revived, and in interiors, they began to be employed in fireplaces. In the 16th century, caryatids became a fixture in the decorative vocabulary of Northern Mannerism. In the early 17th century, interior examples appear in Jacobean interiors in England. Caryatids remained part of the German Baroque vocabulary and were refashioned in more restrained and “Grecian” forms by neoclassical architects and designers, such as the four terracotta caryatids on the porch of St Pancras New Church, London (1822).
Today the original Caryatids of Erechtheum are not at the Temple on the Acropolis; they are in The Acropolis Museum for their protection, conservation and restoration. Other Ancient Greek masterpieces include:
Explore Ancient Greek Masterpieces
- Mask of Agamemnon – 1550–1500 B.C.
- Statue of a Kouros – 580 BC
- Peplos Kore – 530 BC
- Artemision Bronze – 460BC
- The Parthenon Marbles – 440 BC
- Caryatids of Erechtheum – 420 BC
- Boy with Thorn – Original Greek ~ 3rd century BC
- Dying Gaul – Original Greek ~ 230 BC
- The Winged Victory of Samothrace – 200 BC
- Laocoön and His Sons – 200 BC (Greek Original)
Caryatids of Erechtheion
- Title: Caryatids of Erechtheion
- Sculptured: 420–415 BCE
- Original Location: Acropolis of Athens
- Museums: The Acropolis Museum
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Photo Credit: By Carole Raddato from FRANKFURT, Germany [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons 2) By Dennis Jarvis from Halifax, Canada (Greece-0121 – The Caryatids Uploaded by PDTillman) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons 3) By Werner Carl-Friedrich (1808 – 1894) Details of artist on Google Art Project [Public domain], via Wikimedia Commons 4) By Carole Raddato from FRANKFURT, Germany [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons