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“The Death of Actaeon” by Titian


“The Death of Actaeon” by Titian

“The Death of Actaeon” by Titian depicts the last stage of the mythological story. The young hunter named Actaeon unwittingly stumbles on the naked goddess Diana, enjoying a bath in the spring.

Diana is surprised to be caught during her bath in an exposed naked state by Actaeon and, in response, splashes water upon Actaeon, who, as a mortal, is transformed into a deer with antlers and flees in fear.

This painting recounts Actaeon’s unfortunate fate, who, after fleeing, is tracked down by his hounds and killed because they failed to recognize their master. 

This painting is a sequel of Titian’s work “Diana and Actaeon,” showing the story’s tragic conclusion, which follows the Roman poet Ovid’s account in the Metamorphoses.

There has been debate about whether this painting is finished or not, as the painting does not have his signature, which perhaps indicates it is not completed.

There is no arrow in the picture, nor is the bowstring visible. The goddess does not have her usual attribute of the small crescent in her hair that Titian used in other depictions.

 Titian seems never to have completed this painting to his satisfaction. The picture remained in his studio until he died in 1576. 

Why did Titian have difficulties in completing this painting? Did he see himself as Actaeon? Titian had painted many female naked figures during his career.

The story of Diana and Actaeon became popular in the Renaissance and had been depicted by many artists. Ovid’s account does not include Diana herself pursuing Actaeon or shooting at him. 

There were ancient reliefs and engraved gems showing either Diana hunting with dogs, or Actaeon being attacked by his dogs, and a few Renaissance works. Still, the subject in this painting was rare before this Titian depiction.


In Roman mythology, Diana was the goddess of the hunt, the moon, and nature, and she had similar attributes to the Greek goddess Artemis. Oak groves and deer were especially sacred to her.

 Diana was one of the three maiden goddesses, along with Minerva and Vesta, who swore never to marry. Since the Renaissance, the myth of Diana has often been represented in the visual and literary arts.


The artist of this masterpiece, Titian, was the most famous painter of the 16th-century Venetian school.

So much so that his contemporaries recognized him as one of the most accomplished painters, adept with portraits, landscape, and mythological and religious subjects.

His application and use of color, his vivid, luminous tints, his brushwork, and subtlety of tone had a profound influence on Western art.

The Death of Actaeon

  • Title:             The Death of Actaeon
  • Artist:           Titian
  • Created:       1559-75
  • Media:          Oil paint
  • Dimensions: 178.4 cm x 198.1 cm (77.9 in)
  • Museum:      The National Gallery, London


Titian: ‘The Death of Actaeon’

A Tour of the National Gallery

15th Century Paintings

‘Diana and Actaeon’

16th Century Paintings

The Death of Actaeon

Understanding Titian’s color revolution

17th Century Paintings

Titian: The father of modern painting

Metamorphosis: Titian


“The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.”
– Titian


Photo Credit:1)Titian [Public domain], via Wikimedia Commons

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