Stacks of Wheat by Claude Monet
Stacks of Wheat (End of Day, Autumn) by Claude Monet is part of a series of piles of harvested wheat. The series consists of twenty-five canvas, which Monet began near the end of the summer of 1890, and though Monet also produced earlier paintings using this same stack subject.
The impressionist series is famous for how Monet repeated the same theme to show the different light and atmosphere at different times of day, across the seasons, and in many types of weather.
Monet’s Haystacks series is one of his earliest to rely on repetition of a subject to illustrate a subtle difference in color perception across variations of times of day, seasons, and weather.
Monet settled in Giverny in 1883, and most of his paintings from then until his death 40 years later were of scenes within 3 kilometers (2 mi) of his home.
Monet was intensely aware of and fascinated by the visual nuances of the region’s landscape and by the endless variations in the days and the seasons.
Monet’s painted various subjects in series under different lights and seasons focused on depictions of atmospheric influences.
The stacks belonged to Monet’s neighbor, and Monet noticed from his farm the way the light changed on the stacks. Monet started with two canvases, a sunny and an overcast version.
But Monet soon found he could not catch the ever-changing light and mood on just two paintings.
Thus Monet’s daily routine involved carting paints, easels, and many unfinished canvases back and forth, working on whichever canvas most closely resembled the scene of the moment as the conditions and light fluctuated.
Although he began painting the stacks en Plein air, Monet later revised his initial impressions in his studio, both to generate contrast and to preserve the harmony within the series.
Monet became increasingly fascinated by the seasonal effects and the color harmonies. Monet’s subject matter was carefully chosen and was the product of thought and analysis.
Monet undertook to capture the Haystacks in direct sunlight and then to explore in his art the same viewpoint in the various light and atmospheric conditions.
For Monet, the concept of producing and exhibiting a series of paintings related by subject and vantage point began in 1889, and his interest in the serial motif continued for the rest of his career.
Oscar-Claude Monet was a founder of French Impressionist painting, and the term “Impressionism” is derived from the title of his painting Impression, “Soleil Levant” or “Impression, Sunrise,” which was exhibited in 1874.
Monet adopted a method of painting in which he painted the same scene many times to capture the changing of light and the passing of the seasons.
Monet is known for having produced a series of paintings, all versions of the same subject and perspective. Examples include his series of the “Valley of the Creuse” series and his famous series of “Haystacks” and “Water Lilies” paintings.
From 1883 Monet lived in Giverny, where at his home, he developed a garden landscape that included the lily ponds that would become the subjects of his best-known works.
In 1899 he began painting the water lilies, first with a Japanese bridge as a central feature, and later in the series of large-scale paintings, with the water lilies as the main feature. This series occupied him for the last 20 years of his life.
Stacks of Wheat (End of Day, Autumn)
- Title: Stacks of Wheat (End of Day, Autumn)
- Artist: Claude Monet
- Year: 1891
- Medium: Oil on canvas
- Dimensions: Height: 65.3 cm (25.7 ″); Width: 100.4 cm (39.5 ″)
- Museum: Art Institute of Chicago
- Name: Oscar-Claude Monet
- Born: 1840 – Paris, France
- Died: 1926 (aged 86) – Giverny, France
- Nationality: French
- Movement: Impressionism
- Notable works:
- Reflections of Clouds on the Water-Lily Pond
- Farmyard in Normandy
- The Basin at Argenteuil
- A Cart on the Snowy Road at Honfleur
- Water Lilies, (National Museum of Western Art, Tokyo)
- Camille Monet on a Bench
- The Houses of Parliament (Effect of Fog) – (MET)
- “Houses of Parliament, London” (Art Institute of Chicago)
- “The Houses of Parliament, Sunset” (National Gallery of Art, DC)
- “London, Houses of Parliament. The Sun Shining through the Fog” (Musée d’Orsay)
- “Seagulls, the River Thames and the Houses of Parliament” (Pushkin Museum)
- Haystacks at Scottish National Gallery
- Stacks of Wheat (End of Day, Autumn) at Art Institute of Chicago
- Stacks of Wheat (End of Summer) at Art Institute of Chicago
- “Meules, milieu du jour” (National Gallery of Australia)
- “Wheatstacks, Snow Effect, Morning” (Getty Museum)
- Garden at Sainte-Adresse
- Poppy Field in a Hollow near Giverny
- The Gare St-Lazare (The National Gallery, London)
- “La Gare Saint-Lazare” by Claude Monet (Musée d’Orsay)
- “Arrival of the Normandy Train, Gare Saint-Lazare” by Claude Monet (Art Institute of Chicago)
Claude Monet’s Grainstacks
Claude Monet’s Grainstack Paintings
A Tour of the Art Institute of Chicago
- “A Sunday Afternoon on the Island of La Grande Jatte” by Georges Seurat
- “Nighthawks” by Edward Hopper
- “Paris Street, Rainy Day” by Gustave Caillebotte
- “American Gothic” by Grant Wood
- “The Child’s Bath” by Mary Cassatt
- “Houses of Parliament, London” by Claude Monet
- Bathers by Paul Cézanne
- “Arrival of the Normandy Train, Gare Saint-Lazare” by Claude Monet
- “Saint Martin and the Beggar” by El Greco
- Two Sisters or On the Terrace by Pierre-Auguste Renoir
- Stacks of Wheat (End of Day, Autumn) by Claude Monet
- Stacks of Wheat (End of Summer) by Claude Monet
- “At the Moulin Rouge” by Henri de Toulouse-Lautrec
Step into Monet’s Radiant Icon of Impressionism
“The richness I achieve comes from Nature, the source of my inspiration.”
– Claude Monet
Photo Credit: 1) Claude Monet [Public domain]