“Madame Cézanne in the Conservatory” by Paul Cézanne

“Madame Cézanne in the Conservatory” by Paul Cézanne is an unfinished portrait of the artist’s wife. This painting shows Cézanne’s working method.

Cézanne placed the head slightly off-center, between a tree and a plant, and then proceeded to build up a pyramidal composition, brushstroke by brushstroke.

The subject, Marie-Hortense Fiquet Cézanne (1850 – 1922), was a former artist’s model, who met Cézanne about 1869; they had a son in 1872, and later married. Paul Cézanne painted 27 portraits, mostly in oil of her, and she became his most-painted model.

Marie-Hortense Fiquet met Cézanne at a Paris art school. Artists painted the models who worked at the art school. Fiquet’s primary job was as a bookseller and bookbinder, but she combined this with part-time work as a model.

They started a relationship. However, Cézanne was afraid of offending his father, a well-to-do banker. To not compromise his allowance, he went to great lengths to hide his liaison with Fiquet.

Fiquet and Cézanne eventually married. However, Fiquet was to live separately from her husband for much of their married life, and they later separated.

The psychological distance between husband and wife appears to be reflected in her portraits, where Cézanne gives the impression of her being distant and self-absorbed.

Despite their complicated relationship, a large number of paintings by Cézanne of his wife attests to her compelling role in the artist’s life and artistic development.

Paul Cézanne was a Post-Impressionist painter who laid the foundations of the transition from the 19th-century Impressionism to the 20th century’s Cubism.

Both Matisse and Picasso have remarked that Cézanne “is the father of us all.” Cézanne’s art is characterized by repetitive, exploratory small brushstrokes that build up to form complex color fields, demonstrating his intense study of his subjects.