“Orpheus and Eurydice” by Auguste Rodin
“Orpheus and Eurydice” by Auguste Rodin depicts the ancient Greek legend of Orpheus and Eurydice. Rodin shows Eurydice’s spirit floating in the underworld as Orpheus hesitates and turns to see if his beloved is following. An instant later Eurydice will vanish as Orpheus broke Hades’s rule, to not look at his wife until they reached the light. This carved sculpture is the only marble example of this Rodin composition.
Orpheus and Eurydice
Orpheus fell in love and married Eurydice, a woman of beauty and grace. Unfortunately a short time after the marriage, Eurydice was dancing with the Nymphs in the forest, where she was bitten by a snake and died instantly. Orpheus sang his grief with his lyre and both humans and gods were deeply touched by his sorrow and pain.
Overcome, Orpheus decided to descend to Hades to see his wife. Orpheus, protected by the gods, went to Hades and played his lyre, melting even Hades’ cold heart. Hades told Orpheus that he could take Eurydice with him but under one condition. Eurydice would follow him while walking out to the light from the underworld caves, but he should not look at her before coming out to the light or else he would lose her forever.
Orpheus was delighted and started to ascend back into the world. Unable to hear Eurydice’s footsteps, he started to think that he had been tricked. Eurydice was in fact behind him. Only a short distance away from the exit, Orpheus lost his faith and turned to see if Eurydice was following, she was behind him however she was whisked back to the dead. Eurydice was now trapped in Hades forever. Orpheus tried to return to the Underworld, but a man cannot enter the realm of Hades twice while alive.
Auguste Rodin is generally considered the father of modern sculpture; he possessed a unique ability to model a complex and deeply pocketed surface in clay. Many of his most notable sculptures were criticised during his lifetime. Rodin’s most original work departed from traditional themes of mythology and allegory, he modelled the human body with realism and with personal character and physicality. By 1900, he was a world-renowned artist and remained one of the few sculptors widely known outside the arts community.
- What is the moral of the Orpheus and Eurydice story?
- Rodin often left parts of his sculptures with an unfinished surface. what is its effect on viewers?
Explore the European Sculpture and Decorative Arts Collection in the Metropolitan Museum of Art – MET
- “Hercules the Archer” by Antoine Bourdelle
- “Orpheus and Eurydice” by Auguste Rodin
- “Perseus with the Head of Medusa” by Antonio Canova
Orpheus and Eurydice
- Title: Orpheus and Eurydice
- Artist: Auguste Rodin
- Date: Modelled ca. 1887, carved 1893
- Culture: French, Paris
- Geography: French
- Medium: Marble
- Dimensions: 48 3/4 × 31 1/8 × 25 3/8 in., 856 lb. (123.8 × 79.1 × 64.5 cm, 388.3 kg)
- Museum: Metropolitan Museum of Art – MET
- Name: François-Auguste-René Rodin
- Born: 1840 – Paris, France
- Died: 1917 (aged 77) – Meudon, France
- Nationality: French
- Notable work
- Eternal Springtime (Rodin Museum, Philadelphia)
- Two Hands (Rodin Museum, Philadelphia)
- The Cathedral (Rodin Museum, Philadelphia)
- The Hand of God (Rodin Museum, Philadelphia)
- The Thinker (Rodin Museum, Philadelphia)
- The Gates of Hell (Rodin Museum, Philadelphia)
- The Hand from the Tomb (Rodin Museum, Philadelphia)
- The Sirens (Rodin Museum, Philadelphia)
- Young Mother in the Grotto (Rodin Museum, Philadelphia)
- Colossal Head of Saint John the Baptist (Rodin Museum, Philadelphia)
- The Secret (Rodin Museum, Philadelphia)
- “The Thinker” at the Rodin Museum, Philadelphia (Full Size)
- The Burghers of Calais (Hirshhorn Museum and Sculpture Garden)
- The Burghers of Calais (Rodin Museum, Philadelphia)
- Balzac (Rodin Museum, Philadelphia)
- “The Gates of Hell” by Auguste Rodin (Kunsthaus Zürich)
“I invent nothing, I rediscover.”
– Auguste Rodin
Photo Credit: 1) JOM