“The Houses of Parliament” (Effect of Fog) by Claude Monet

“The Houses of Parliament” by Claude Monet is one in a series of paintings of the Palace of Westminster, home of the British Parliament, created during the early 1900s while Monet stayed in London.

All of the series’ pictures share the same viewpoint from Monet’s terrace at St Thomas’ Hospital overlooking the Thames and the approximate similar canvas size. They depict different times of the day and weather conditions.

By the time of the Houses of Parliament series, Monet had ceased his earlier practice of completing a painting on the spot in front of the subject.

Monet continued refining the images back at his home base in France and sometimes used photographs to help in his task.

Some purists criticized this new approach, but Monet replied that his means of creating work was his own business, and it was up to the viewer to judge the final result.

Monet produced nearly a hundred views of the Thames River in London. He painted Waterloo Bridge and Charing Cross Bridge from his room in the Savoy Hotel and the Houses of Parliament from Saint Thomas’s Hospital.

The artist continued to refine the paintings and wrote to his dealer Durand-Ruel:

“I cannot send you a single canvas of London … It is indispensable to have them all before me and to tell the truth, not one is definitely finished. I develop them all together.”

Oscar-Claude Monet was a founder of French Impressionist painting, and the term “Impressionism” is derived from the title of his painting Impression, “Soleil Levant” or “Impression, Sunrise,” which was exhibited in 1874.

Monet adopted a method of painting in which he painted the same scene many times to capture the changing of light and the passing of the seasons.

Monet is known for having produced a series of paintings, all versions of the same subject and perspective. Examples include his series of the “Valley of the Creuse,” “Haystacks,” “Rouen Cathedral,” and “Water Lilies” paintings.

From 1883 Monet lived in Giverny, where at his home, he developed a garden landscape that included the lily ponds that would become the subjects of his best-known works.

In 1899 he began painting the water lilies, firstly with a Japanese bridge as a central feature, and later in the series of large-scale paintings, with the water lilies as the main feature. This series occupied him for the last 20 years of his life.