The Sphinx of Hatshepsut
Hatshepsut means “Foremost of Noble Ladies” was one of only two female pharaohs in Ancient Egyptian history, who ruled as full Pharaoh not just as a regent for a younger male relative. She is the first significant female ruler in documented history. Born in 1507 BC, Hatshepsut came to the throne of Egypt in 1478 BC. Officially, she ruled jointly with Thutmose III, who had ascended to the throne the previous year as a child of about two years old. Hatshepsut declared herself king sometime between the ages 2 and 7 of the reign of her stepson and nephew, Thutmose III.
This seven-ton granite Sphinx of Hatshepsut has the body of a lion and a human head wearing a head-cloth and royal beard. The statue has the usual symbolic, powerful muscles of the lion and the idealised face used for pharaohs. This sphinx is one of a number granite sphinxes that once stood in Hatshepsut’s mortuary temple at Deir el-Bahri.
Another Hatshepsut statue in the MET is the “Seated Statue of Hatshepsut” which is a life-size limestone statue. It shows Hatshepsut in the ceremonial attire of the Egyptian king. Many of the statuses of Hatshepsut were smashed into fragments or defaced at the orders of Hatshepsut’s nephew and successor Thutmose III and dumped in quarries. Thutmosis III ordered that Hatshepsut name and memory be removed as a Pharaoh from Egyptian history and ordered her statues destroyed and her achievements erased.
The “Kneeling statue of Hatshepsut”, also in the MET is an enormous kneeling statue and many others like it were made for the procession pathway to Hatshepsut’s temple at Deir el-Bahri. Each sculpture has an inscription that includes her name with the feminine pronoun or verb form. Thus the masculine dress and physique were not intended to deceive people into thinking that she was a man. The aim was to depict Hatshepsut with all the symbolism associated with kingship.
The Egyptians believed that the spirit could live after death, only if some remembrance of a body, a statue or name of the deceased remained in the land of the living. By visiting and reflecting on Hatshepsut statues, we have fulfilled her hopes and beliefs.
- First significant female ruler. How challenging was it for her to be a female Egyptian Pharaoh?
- It was uncommon for Egypt to be ruled by a woman, How challenging would it have been for Hatshepsut to be an Egyptian Pharaoh?
- Did assuming the typical symbols and images of pharaonic power, makes it easier for a female ruler?
- What other male ruler symbols would Hatshepsut have used to gain legitimacy?
- Many of Hatshepsut statues were smashed at the order of Hatshepsut’s successor and dumped in a quarry. These broken fragments were recovered by the Museum’s Egyptian Expedition and reassembled. If they had not been smashed and of little apparent value to Egypt, would they have ended up in a New York museum?
Explore the Egyptian Art Collection in the Metropolitan Museum of Art – MET
The Sphinx of Hatshepsut
- Title: The Sphinx of Hatshepsut
- Date: ca. 1479–1458 B.C.
- Period: New Kingdom
- Dynasty: Dynasty 18
- Reign: The Joint reign of Hatshepsut and Thutmose III
- Excavation: 1927
- Medium: Granite, paint
- Find Site: Thebes, Deir el-Bahri, Egypt (Upper Egypt)
- Dimensions: H: 164 cm (64 in.); L: 343 cm (135 in.); Wt: 6,759 kg (14,900 lb.)
- Museum: Metropolitan Museum of Art – MET, New York, USA
Explore the Metropolitan Museum of Art
MET European Paintings Collection
- “Pygmalion and Galatea” by Jean-Léon
- “Saint Jerome as Scholar” by El Greco
- “Portrait of Juan de Pareja” by Diego Velázquez
- “Camille Monet on a Garden Bench” by Claude Monet
- “View of Toledo” by El Greco
- “The Musicians” by Caravaggio
- “The Death of Socrates” by Jacques-Louis David
- “The Harvesters” by Pieter Bruegel the Elder
- “Young Woman Drawing” by Marie-Denise Villers
- “The Grand Canal, Venice” by J. M. W. Turner
- “The Houses of Parliament (Effect of Fog)” by Claude Monet
- “Madame Cézanne in a Red Dress” by Paul Cézanne
MET Modern and Contemporary Art Collection
- “Reclining Nude” by Amedeo Modigliani
- “Improvisation 27 (Garden of Love II)” by Wassily Kandinsky
- “Jeanne Hébuterne” by Amedeo Modigliani
- “The Card Players” by Paul Cézanne
- “Bathers” by Paul Cézanne
MET Greek and Roman Art Collection
MET Egyptian Art Collection
MET Asian Art Collection
- Luohan – Yixian Glazed Ceramic Sculpture
- Pillow with Landscape Scenes – Zhang Family Workshop
- Jar with Dragon
MET Ancient Near Eastern Art Collection
- Sumerian Standing Male Worshiper
- Head of a Beardless Royal Attendant – Eunuch
- Human-Headed Winged Bull (Lamassu)
MET American Wing Collection
- “Washington Crossing the Delaware” by Emanuel Leutze
- “Portrait of Madame X” by John Singer Sargent
- “Mother and Child” by Mary Cassatt
- “Fur Traders Descending the Missouri” by George Caleb Bingham
- “The Gulf Stream” by Winslow Homer
MET Islamic Art Collection
MET Arts of Africa, Oceania and the Americas Collection
- Benin Ivory Mask
- African Face Mask – Kpeliye’e
- Sican Funerary Mask – Peru
- Ceremonial Axe – Papua New Guinea
MET European Sculpture and Decorative Arts Collection
- “Hercules the Archer” by Antoine Bourdelle
- “Orpheus and Eurydice” by Auguste Rodin
- “Perseus with the Head of Medusa” by Antonio Canova
MET Medieval Art Collection
- “The Last Supper” by Ugolino di Nerio
- Plaque with the Journey to Emmaus and Noli Me Tangere
- Doorway from the Church of San Nicolò, San Gemini
MET Drawings and Prints Collection
- Album of Tournaments and Parades in Nuremberg
- “Canvassing for Votes” by William Hogarth
- “Christ and the Woman of Samaria” by Rembrandt
MET Costume Institute Collection
MET Arms and Armor Collection
MET Photograph Collection
MET Musical Instrument Collection
Explore the MET
“What you are doing does not matter so much as what you are learning from doing it?”
– Ancient Egyptian Proverb
Photo Credit 1a) Metropolitan Museum of Art [CC0], via Wikimedia Commons [CC0], via Wikimedia Commons