“Max Schmitt in a Single Scull” by Thomas Eakins
“Max Schmitt in a Single Scull” by Thomas Eakins depicts the Schuylkill River in Philadelphia, Pennsylvania, and celebrates the victory of the artist’s friend Max Schmitt on October 5, 1870, in the annual single sculls competition.
Max Schmitt (1843–1900) had attended Philadelphia Central High School with Eakins, and the two were close friends. The painting is also known as “The Champion Single Sculls” and was painted in 1871.
Thomas Eakins had won and lost in previous annual regattas on the Schuylkill River. In the 1870 regatta, Schmitt re-established himself as the pre-eminent rower on the Schuylkill River. He also set a new record, completing the 3-mile, 1-turn course in 20:00 minutes.
Coincidently, Eakins had recently returned to Philadelphia, following four years of study at the École des Beaux-Arts in Paris, and he was a witness to Schmitt’s victory.
The painting’s composition accurately portrays the event by reproducing the day’s weather conditions at the time of Schmitt’s triumph.
Max Schmitt in a Single Scull by Thomas Eakins
Schmitt is depicted nearly at rest, dragging his oars with the disappearing eddies of his course visible in the water. The location is just downstream of the Columbia Railroad Bridge, the site of the turn in the race.
Schmitt was an early convert to sculls and owned his own craft, named “Josie,” as inscribed on his boat. Eakins was also a keen oarsman and painted himself as the rower in the middle distance. He signed the painting – “Eakins, 1871” – on the stern of his scull.
Eakins gave this painting to his friend Max Schmitt. However, he continued to paint almost thirty rowing works in sketches, oil paintings, watercolors, perspective drawings.
The painting shows the influences of his tutors in France, Jean-Léon Gérôme and Léon Bonnat, and Diego Velázquez, the Spanish artist.
Eakins’s self-portrait as the rower in the middle distance
Max Schmitt in a Single Scull
- Title: Max Schmitt in a Single Scull
- Also: The Champion Single Sculls
- Artist: Thomas Eakins
- Year: 1871
- Medium: oil on canvas
- Dimensions: 82.6 cm × 117.5 cm (32 1⁄2 in × 46 1⁄4 in)
- Category: History Painting, American Art
- Museum: Metropolitan Museum of Art
Thomas Eakins (1844 – 1916) was an American realist painter, photographer, sculptor, and teacher. He is acknowledged to be one of the most important artists in American art history.
From the 1870s, Eakins worked from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, and his work offers an overview of Philadelphia’s intellectual life in the late 19th and early 20th centuries.
Eakins also took a keen interest in the new technologies of motion photography, a field in which he was an innovator.
As a teacher, he was a highly influential presence in American art. Eakins was also a controversial figure whose work received little official recognition during his lifetime.
- Name: Thomas Cowperthwait Eakins
- Born: 1844, Philadelphia, Pennsylvania, United States
- Died: 1916 (aged 71), Philadelphia, Pennsylvania, United States
- Nationality: American
- Movement: Realism
- Famous Works:
MET American Wing Collection
- “Washington Crossing the Delaware” by Emanuel Leutze
- “Portrait of Madame X” by John Singer Sargent
- “Mother and Child” by Mary Cassatt
- “Fur Traders Descending the Missouri” by George Caleb Bingham
- “The Gulf Stream” by Winslow Homer
- “The Parthenon” by Frederic Edwin Church
- “The Aegean Sea” by Frederic Edwin Church
- “Alexander Hamilton” by John Trumbull
- “Lady at the Tea Table” by Mary Cassatt
- “Ellen Mary Cassatt” by Mary Cassatt
- “The Midnight Ride of Paul Revere” by Grant Wood
- “Tea Leaves” by William McGregor Paxton
“Only the guy who isn’t rowing has time to rock the boat.”
– Jean-Paul Sartre
Photo Credit: 1) Thomas Eakins, Public domain, via Wikimedia Commons.